This is Part two in a two part series listing Houston’s music press.

Yesterday’s post began with the provenance of this list: the need for local bands to be contacting their local press more often. Then the  first half of Houston’s music press was listed, including links to their outfits and samples of their work. Today’s post finishes that list with the second half of Houston’s Local Music Press. Make sure that you check out both posts and remember the additional homework assignment of actually writing the press to tell them about what you’re doing.

Here’s the rest of your local music press (in random order thanks to random.org):

David Sadof, Houston Examiner
David Sadof has been a member of the Houston Music Community since the 80′s when he was Music Director at Rock 101 KLOL and The Buzz KTBZ. Kerry Melonson of Satin Hooks openly blames David and his radio show “Lunar Rotation’ as the reason he is a musician. David is now a regular writer for the Houston Examiner; read his post on Spoon’s Transference and notice that every post David writes includes a video clip.

Craig Hlavaty, Houston Press
Craig is Assistant Music Editor at the Houston Press and works closely with Chris Gray to cover everything about our music community. Craig writes an unbelievable number of pieces regularly, probably due in part to his firm adherence of the “everyday is a workday, every night is a weekend” mantra. You can catch him tweeting about every show he sees and everything that happens in his very busy nightlife. You  also might want to read his actual writing; here’s coverage on February 5th’s Justin Townes Earle show.

David Cobb, Houston Calling
David is a one man show covering all forms of musical expression in Houston, from benefits to live shows to news about local bands, artists, and concert posters. Every year along with partner blog Done Waiting they compile one of the best curated SXSW music lists. Read his post and commentary on Derek Webb’s recent Haiti Benefit.

Rob Delossantos/Joel Hughes/others, Indie Houston
These guys are living the kind of life where you don’t get the deposit back. Staging most efforts from the IndieHouston House, this group hosts regular shows but also have a blog that covers the goings on of bands that makes their way through this city. One difference between this site and most is that guest contributions are welcome and invited. Here’s Joel’s post on an upcoming Roky Moon + BOLT show and here’s Rob’s call for submissions from the community.

Joey Guerra, Houston Chronicle
Joey is a music critic for the Houston Chronicle and “absolutely loves it.” He’s clearly living life to its fullest, regularly abusing twitter with laughter and commentary on all things pop culture. Personally, his tweets crack me up regularly. Joey’s love of pop culture makes its way into his writing so as a band looking to contact him, better be able to discuss your music in the context of anything from Madonna to Jonas Brothers to Solange. Read Joey’s honest assessment of the latest Jonas Bro solo album.

Adam Newton, DryveTyme Onlyne, Houston Press
This guy gets hustler of the year award. Previously with Houstonist, now seriously focused on his own blog DryveTyme Onlyne which has daily content in various forms and has also recently started doing some coverage for the Houston Press as part of Chris Gray’s master plan. Also plays in Prairie Cadets with Marc Brubaker. Witness Adam’s weekly feature, Media Monday, where he offers up free music and video from the web.

Jeremy Hart, Space City Rock
Editor of Space City Rock which constantly amazes me with its unbelievably prolific posting schedule. SCR is also the best place to find a comprehensive readout of the shows going on in Houston every. week. Revelry Report still uses the show calendar for our weekely music events calendar. Jeremy is also an ex-KTRU dj which means he’s got a well steeped diverse musical background. See what I mean with Jeremy’s discussion of the Daniel Higgs show on February 5th.

Marc Brubaker, Houstonist
Carrying the torch for the Houstonist’s coverage of the local music scene. Has started something that has been needed for a very long time: a weekly news recap of things that happened in the local music community (the only other place I’ve seen a daily/weekly recap of local news is with Houston Press’ new feature: Magnolia City Mixtape, brought to you by Brittanie Shey). Marc also curates Xnihilo Gallery,  shoots live shows and events for a smattering of local papers and publications, and plays in Prairie Cadets with Adam Newton. Take a quick look-see at Marc’s H-Town Rock and his regular news recap Rock Talk.

Andrew Dansby, Houston Chronicle, 29-95
Houston Chronicle and 29-95.com music writer. Did his time at Rolling Stone so you know he’s legit. Still mostly covers nationally recognized acts but has been able to focus a little more on local artists thanks to a crack team of people who continually send him music,  hard working Houston bands who have started to write local press about their work and the hyper local focus of 29-95.com. Here’s a story from 2009 about the Wild Mocassins as they prepared to leave for their first tour.

Note: Some of these people are repeats from the 2008 post, some of these are new entrants to the field. Last time I compiled this list, I caught some shit for not including some people DESPITE mentioning that if there was anyone missing, drop me a line and I will add them. I cannot be in all places at all times. If I don’t know about you and your writing, I want to. Drop me a line at mwettergreen@gmail.com so I can add you to this post and start reading your work.

This is Part one in a two part series listing Houston’s music press.

Back in 2008 when I first listed Houston’s music writers my point was that anyone who has more than a casual relationship with music should know who their local music writers are. These are the people on the ground grinding to make sure music in your community is covered, from the stadium shows down to the fledgling bands just picking up an instrument.  The list was both a love letter to these writer’s work and a required reading list for those inside the community. People on the support, management and service side should be paying close attention to what gets covered because these writers provide a barometer for the vibrancy and success of the local scene. More importantly though is that bands need to realize that local success includes an intimate understanding of the landscape that they inhabit.  And that means that these bands should be even more invested, knowing which writers to contact and when, based on their coverage, area of interest, and lead time.

That last part’s not happening.

Over the past couple years, I’ve heard two different viewpoints explaining the situation, one from music writers and one from bands. The music writer viewpoint is

“I’d love to be listening to more local acts and writing about more local acts. But, local bands aren’t sending me cds, giving me updates on their recording, forwarding press releases or really contacting me to tell me anything about what they’re doing.”

This viewpoint was punctuated strongly by Houston Press music writer Craig Hlavaty on Sunday when he stood up at Bandcampus: BOOKING PARTY and said something to the effect of:

“Bands: PLEASE send me your cds, music, information about shows and what you’re doing. I would LOVE to cover you but you don’t write us about what’s going on.”

The second viewpoint is the band’s viewpoint:

“I’d love to get written up in local press more // Why aren’t we getting written up in local press // I don’t know how to get written up in local press”

For bands, the question of who to contact and how to contact them has a simple answer. The how is: if you’re doing something that you think the music press should be talking about, write them. The who is: listed below.

This year carries an additional homework assignment: write these musicians and tell them what you’re doing with your music. If Houston music writers start complaining to that there are too many bands writing them because of this, then we’ll all high five each other and mark our calendars to remember the date.

Here’s the first half of your local music press (in random order thanks to random.org):

Jim “Eggs” Bricker: Breakfast on Tour
Jim and his crew are serious music fans. They started writing Breakfast On Tour as a creative outlet for the staggering number of shows they were attending and as a way to “encourage more people to experience the joys of live music events.” The blog covers mostly live shows and the culture surrounding live shows. Check out Eggs’ last entry from his tour diary with The Sour Notes.

Ramon Medina: 29-95, Free Press Houston
Writes for 29-95.com, Free Press Houston and founded NonAlignment Pact (a really insightful group blog about music you might want to check out). Ramon and his wife Rosa Guerrero are caring fixtures on the music scene and inspire many bands to keep on trucking. Check out a recent post from his two writing spots.

Dan Joyce/Keaton Branch: AudioADD
These young upstarts launched AudioADD about a year ago and have been doing a great job covering the cult of the music addict. Appropriate from two guys who feel the same way about Apple. You can also listen to Keaton with his band The Figure Eight. Check out this post from AudioADD’s 12 Days of Christmas series: In Rainbows.

Anna Garza: Free Press Houston
Anna Garza is about to have the “best year ever.” She recently founded Girls Rock Camp, a non-profit that works to empower women through musical education and performance art. Earlier in the decade she booked shows for Hands Up Houston which gives her intimate knowledge of the Houston music community and makes it pretty easy for her to bang out post after post on Free Press Houston about art, the city, and local music acts. Take a look at her post about Sound + Movement.

Sara Cress: 29-95
Sara’s been writing about the Houston Music Community and its culture for several years now. She’s made the jump from the Houston Chronicle to 29-95 where she gets to have a bit more fun with her posts especially with list titles like “My Redneck Past”. Check out the cheeky side here and the more straight ahead reporting as published in the Houston Chronicle.

Chris Gray: Houston Press
Music Editor for the Houston Press. Writes several weekly pieces for the print version and also writes the Rocks Off blog. Chris Gray has a master plan to cover the depth and the breadth of Houston music that he’s been enacting over the past year plus. You can see his success by taking a look at the diversity of posts on the Houston Press website and the volume of daily writing coming out of that staff. It really portrays the music community as it deserves to be covered. A demonstration of his musical knowledge can be seen in his recent post about Lightning Hopkins receiving a Historical Marker.

Brittanie Shey: 29-95Houston Press
Brittanie’s a freelance writer that has amassed an incredible number of accolades as a journalist in a very short time, covering everthing from food to travel to women’s issues. She is extremely literate but has a conversational style that makes reading a concert review seem like you’re hearing it from one of your friends. It also makes you wish you were there. Or that you performed better. ouch! Check out how she couldn’t stop running into Ralf Armin of Dead Roses the weekend of the last Free Press Houston Block Party.

Lance Scott Walker: 002 Magazine
Lives in New York. This fact doesn’t matter if you know that Lance Scott Walker is born and bred Texan. His book with photographer Peter Beste about Houston’s hustlers and rappers is set to be out this year.  Lance is reportedly “still paying off” Ojet Records, a little Houston label he had in the beginning of the century. Check out his monthly pieces on local musicians in the back pages of 002 Magazine.

Jeff Balke, Houston Chronicle
Writes Broken Record, a blog about the music industry from the perspective of a performing artist. He also plays in Orange Is In, which according to this tweet, is getting back together! If you are a band trying out a new business model in your career, you could write Jeff and tell him about it. Here’s his analysis of NIN continuing to reinvent their business model.

Stay tuned for the second half of Houston’s local music press tomorrow.

Note: Some of these people are repeats from the 2008 post, some of these are new entrants to the field. Last time I compiled this list, I caught some shit for not including some people DESPITE mentioning that if there was anyone missing, drop me a line and I will add them. I cannot be in all places at all times. If I don’t know about you and your writing, I want to. Drop me a line at mwettergreen@gmail.com so I can add you to this post and start reading your work.

I’ve compiled a free ebook on booking a show for your band in cities within a four hour drive of Houston. It lists venues and their contact information as well as some contact templates and basic advice for how to get your band booked.

Many of the ideas inside of here were developed through extensive discussions with bands and individual artists as well as the monthly Bandcampus sessions.  The venue listings were obtained through publicly listed information and a great thanks goes out to Katie Brown for helping to compile it all. All of the information contained within this ebook is something that I feel every band could use so I’m posting it for free.

Free eBook on Booking Your Band in Texas

If you like this ebook and find it helpful, please consider blogging a link back to this post so that peole know where to get the book. If you’d like to share copies with someone else, please point them to this post instead of the file directly so that I can make edits without concern.

Also, if this book makes you happy please leave a comment below this post. I’d love to know what you think about the work.

Thanks!

Booking Your Band in Texas (pdf format).

P.S. If you’d like just the venue listing without the helpful guidance on how to book your band, leave a comment below so I know how many people would like the venue listing in a google document format.

Yesterday’s Bandcampus was a loud celebration of touring and music careers between over 15 bands and a mix of Houston music writers. As this was the first Bandcampus of the year people were understandably excited to share their progress with each other and it didn’t hurt that Marc Brubaker brought a keg of St. Arnold’s.

The following bands were in attendance:

The session began late as printing of the ebooks took longer than expected (85 pages each!!!). Thanks to Jeremy Osborn of Wayside Drive for helping with the cover and the printing transport. Ebook copies went fast, the ones who came late had to share it and wait for it to be made available online (later today). We reviewed the process of booking a live show, beginning with two assumptions, 1) each band had prepared a digital toolbox of press, bio, pictures, media, stage setup to send to bookers or promoters as needed. 2) if the band had contacts or relationships with other bands or booker/promoters in desired cities, that would be the first place to start when booking a live show, aside from the following process. Then, we reviewed the planning steps for booking shows; selecting desired dates and targeting venues based on genre similarities and the size of venue.  Next we talked about the phone follow-up, the importance of writing out a script and remaining to-the-point and professional. For each of these steps we highlighted the specific sections of the ebook for the bands to refer to later.

During the discussion session, before getting down and contacting venues, several points were raised by Golden Cities, I-45 and Glasnost, three bands who have set up everything from their own shows to regional and national tours.

  • Lance and Marcus of Golden Cities say: the most difficult thing is getting venues to reply. You have to understand and get over the fact that not everyone is going to reply to your email ever.
  • Chuck of Glasnost recommends also having a standard contract for your band as part of your digital toolbox. Glasnost compiled theirs from several different examples available online. Here is an article from Music Biz Academy with several example contracts
  • All bands agreed that asking for money can be the most difficult part and that the actual rate is completely negotiable and situational. It is not recommended to play for free though.

Additionally we had several members of the media in attendance:

The most rousing portion of the entire session was the discussion that ensued when Houston Press Music Writer Craig Hlavaty stood up and let bands know that they needed to take better advantage of the musical infrastructure that exists to help them:

  • Music writers love to write about local bands, local bands seem to not understand this or take advantage of this opportunity
  • Craig spends a ridiculous amount of time looking at venue and band sites to find out who is playing and when, because venues don’t list it themselves
  • Local Bands need to be sending information about their upcoming shows to the music writers 1.5 weeks in advance of the show (minimum)
  • Bands need to send: The cost of the show, the bands on the bill, the time and venue of the show
  • Bands expressed a lack of knowledge on who their local music writers actually are (I have a two-part post for tomorrow and Wednesday opening this up for musicians)

With the ebook in hand bands were ready to start booking themselves live shows in and around Houston. We will be following up with each and every band to make sure that they actually work towards this and not sink into a hole of apathy. By discussing how these bands are using the ebook and leveraging community-based support every band in the Houston Music Community can begin to practice these career building steps.

More information about the next Bandcampus: SXSW PREP coming this week.

Check out some other press on this round of Bandcampus: BOOKING PARTY

This semester in COMP 300: Society in the Information Age we’ve been discussing our changing world and the shifting perceptions brought to us with the addition of technology. In a previous session we examined the Information Age through the lens of Marshall McLuhan’s teachings. McLuhan was a leader in the field of media theory and communications. Though long dead at this point, his methodology for examining any radio ad, television series or new technology has allowed academics and media theorists to discuss the effects upon society as a whole.

The reason that McLuhan’s work has lasted was his blanket approach to addressing technology’s impact on society. Instead of discussing the sales of a particular product as a result of a popular advertisement, instead he examined how that ad touched upon our desires, wants and cultural norms. He separated each example from time and space, looking it as an archaeologist would, giving each medium the designation of cultural artifact. That approach remains viable to this day and would allow you to measure current technological advances such as the success of a viral video as a function of what emotions or societal effects it addressed.

McLuhan’s most useful device is the tetrad, a pedagogical tool designed to understand the transformative effects of a particular cultural artifact by  looking at how it increased or decreased specific cultural patterns or brought back things that were lost in our society as a result of new technology.

Specifically, McLuhan’s tetrad asks:

  1. What does the medium enhance or amplify in our culture?
  2. What does the medium obsolesce?
  3. What does the medium retrieve from earlier civilization or society that was previously lost?
  4. What does the medium reverse or flip into when pushed to extremes? (this answer almost always carries a negative connotation)

In class we wrote out the tetrad for the cases of radio, television, the internet. For example, radio retrieved the use of our sense of hearing for information delivery, something that characterized pre-literate times. Another example: the internet enhances our abilities to redefine our geographical boundaries based on interests and identies in the same way that nationality arose with the coming of print culture.

This brings us to the application of the tetrad to another disruptive technology: Twitter. No one can argue that Twitter has completely shifted the way that we use the internet but also what makes up the internet. It seems that very few people have applied McLuhan’s theories though in an effort to explain the ways in which we as a society are now different as a result of Twitter. There are a couple examples of people who have applied the tetrad to Twitter (here, and here) and while I agree with some of their observations I mostly disagree with the specific application of the tetrad without considering the broad applications of the technology for society as a whole.

To truly examine Twitter’s effect on our lives we have to take a step back and view it as its own cultural artifact. It’s not enough to say that Twitter enhances our ability to connect with people all the time. Saying that Twitter makes CNN’s Breaking News Alerts obselete also understates the importance of Twitter. Instead we have to pull from what makes society the way it is, take our origins and our predictions for where we’re going. Questions like “what does this say about our society as a whole” or “what  comment does Twitter make on societyas a people?” are more salient questions than the specifics of how Twitter is being used. As one of Neil Postman’s laws of technological change (#4 to be exact), technology does not make a additive difference, it makes an ecological one. So applying the tetrad to television does not yield answers based on how people use television but how society is different because of television. This is what McLuhan meant when he said his most famous quote “the mediums is the message,” that it is not important what people are watching or how they are watching but the mere fact that they are watching television that changes the society.

To stave off further verbose explanation, here’s the Twitter Tetrad. Again, it is important to note that while there are many answers to these questions, the answers are not “Twitter helps everyone connect with everyone immediately” or “Twitter helps you learn what your friends are doing” . This tetrad is designed to help us understand how Twitter actually has changed society.

1. What does Twitter enhance or amplify in our culture?

Twitter enhances our ability to cement the boundaries that we’ve begun to redraw on the internet. It does this by allowing us to live in communities of our own borders, different than nationality (which arose because of print technology), surrounded by like minds and interests. We come closer to “living” in this new community by understanding how those with shared interests and beliefs really live rather than just joining each other on websites and forums to discuss our similarities.

2. What does Twitter obsolesce?

Twitter obsolesces editorial content completely by painting a picture of what is actually happening right now. Twitter also removes traditional media as the authority and source of facts and up to date information.

3. What does Twitter retrieve from earlier civilization or society that was previously lost?

Twitter retrieves the ability to be an authority based on “power of voice” rather than traditional pedigree, something that was present in oral tradition. Twitter also retrieves our ability to memorize short passages to repeat orally as a transmission method for information and then knowledge.

4. What does Twitter reverse or flip into when pushed to extremes?

Twitter’s all-information, all-the-time, from everywhere on the globe, helps us stay connected everywhere but reverses into a collective hive mind of our buzzing thoughts. Disconnectedness and isolation is the product of the oversaturation of the channel: high fidelity but information dilution brought to you by sheer numbers of faceless thoughts passing through the medium.

Please let me know what you think about Twitter’s effect on society as a whole.

Welcome to the final day of pre-release of the ebook ‘Booking Your Band in Texas’. The compiled ebook will be available for free download on Monday, February 1st, 2010. This guide is designed to help you contact and book yourself a live show at venues around Texas. Today’s venue list covers areas near Victoria and Corpus Christi, close to the gulf and within an approximate 4 hour drive of Houston.

Booking Your Band in Texas – pt. 5, Victoria / Corpus Christi

This download includes a list of venues located in and around Victoria/Corpus Christi as well as the below graph which can help you to understand the musical landscape of a particular city. The area surrounding Victoria and Corpus Christi supports standard genres rather than offshoots. Unlike other cities, Country/Cowboy/Western are by far the most popular genre in the area. Rock/Pop are actually second, however, they still manage to make up 25% of the venue landscape. Artists in R &B/Hip Hop and Rap will have a difficult time booking themselves in this area as no venue identifies themselves as catering to this genre. Similarly, there are no venues which claim to support the genres of Dance/Electronic, Experimental, Metal, Ambient/New Age, Eclectic, or any other Latin genre save Tejano. Punk is not mentioned but Rockabilly makes up 5% of the genre representations so any punk band with enough crossover could find themselves a gig.genrefavoritesvictoriacorpussmall

‘Booking Your Band in Texas’ Release Schedule
Every day of this week, a new venue listing will be released for Austin, Dallas, Houston, San Antonio and Victoria/Corpus Christi. If you come to Bandcampus:BOOKING PARTY on Sunday, January 31st you’ll receive the full ebook, similarly, if you visit this site next Monday (2/1) you’ll be able to download the document in its entirety. On Monday, February 1st, the complete list of venues will also be posted as a google document so that anyone can access it and edit it.

The Free ebook
On Monday, 2/1/10, the full version of the guide will be available as an ebook for free download. The full document includes the following:

  • Venue Listing for Austin, Dallas, San Antonio and Victoria/Corpus Christi
  • Mad-Libs style email script to assist you in making first contact with a venue to book your band a live show
  • Mad-Libs style phone script to assist you in making first contact with a venue or following up to book your band a live show
  • A recommended schedule to help you plan your bookings
  • A basic explanation of how to go about contacting venues and booking your band a live show

If you like what you read, please consider blogging a link back to this post so that people know where to get the document. And if you’d like to provide some ideas about the document, feel free to leave a comment at the end of this post.

Acknowledgements
This guide was compiled over 2009 with the assistance of many people: Lauren Oakes laid the early groundwork for this project in early 2009 by compiling the list for Houston. My intern Katie Brown is largely responsible for the project as it exists today, expanding the listings to cities within a four hour drive of Houston, organizing the data, and fact checking the listings. Attendees of Bandcampus: BOOKING PARTY in July got a first look at the listings and gave it a review for typos and missing information. Those bands and others that deserve thanks are: Prairie CadetsMontgomery WalkerStateside StereoWestern CivilizationThe Favorites, , The Liquid Kitchen,Female DemandGlasnost,Insert Name HereSpin AlleyJoe MuscaraThe Snake CharmersApril KyleAjit D’SaWayside DriveNed DodingtonGrace Rodriguez, and last but not least the members of Caroline Collective, and Houston’s Creative and Music Community.

Licensing
This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. This means:
Use this guide as much as you like to book shows for yourself and others. Share it with your friends, reproduce, download, redistribute, remix, tweak, and build upon this guide but the original work must be credited and you may not sell it. All further derivatives are licensed under identical terms.

Creative Commons License
Booking Your Band in Texas Guide by Matthew Wettergreen is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.

Welcome to Day 4 of the release of the ebook ‘Booking Your Band in Texas’. This guide is designed to help you contact and book yourself a live show at venues around Texas. Today’s venue list covers San Antonio, known by the public for their Riverwalk and by bands as having a large number of Metal bands.

Booking Your Band in Texas – pt. 4, San Antonio

This download includes a list of venues located in and around San Antonio as well as the below graph which can help you to understand the musical landscape of a particular city. San Antonio, like all other previously surveyed cities, has a greater percentage of venues focused on rock/pop than any other genre. Also similar to Dallas and Austin, the genres of Country/Cowboy/Western are the second most popular genre for venues to support. Several venues in San Antonio list themselves catering to the genres of “Honky Tonk” and “Southern Rock.” R&B/Rap/Hip Hop is minimized in San Antonio as compared to Houston but Latin Pop and other similar genres are the third most popular genre in San Antonio. Metal represents around 3% of the genres when lumped with Gothic and Industrial, two genres not charting at all in any other surveyed cities in Texas.

genrefavoritessanantonio_small

‘Booking Your Band in Texas’ Release Schedule
Every day of this week, a new venue listing will be released for Austin, Dallas, Houston, San Antonio and Victoria/Corpus Christi. If you come to Bandcampus:BOOKING PARTY on Sunday, January 31st you’ll receive the full ebook, similarly, if you visit this site next Monday (2/1) you’ll be able to download the document in its entirety. On Monday, February 1st, the complete list of venues will also be posted as a google document so that anyone can access it and edit it.

The Free ebook
On Monday, 2/1/10, the full version of the guide will be available as an ebook for free download. The full document includes the following:

  • Venue Listing for Austin, Dallas, San Antonio and Victoria/Corpus Christi
  • Mad-Libs style email script to assist you in making first contact with a venue to book your band a live show
  • Mad-Libs style phone script to assist you in making first contact with a venue or following up to book your band a live show
  • A recommended schedule to help you plan your bookings
  • A basic explanation of how to go about contacting venues and booking your band a live show

If you like what you read, please consider blogging a link back to this post so that people know where to get the document. And if you’d like to provide some ideas about the document, feel free to leave a comment at the end of this post.

Acknowledgements
This guide was compiled over 2009 with the assistance of many people: Lauren Oakes laid the early groundwork for this project in early 2009 by compiling the list for Houston. My intern Katie Brown is largely responsible for the project as it exists today, expanding the listings to cities within a four hour drive of Houston, organizing the data, and fact checking the listings. Attendees of Bandcampus: BOOKING PARTY in July got a first look at the listings and gave it a review for typos and missing information. Those bands and others that deserve thanks are: Prairie Cadets, Montgomery Walker, Stateside Stereo, Western Civilization, The Favorites, , The Liquid Kitchen, Female Demand, Glasnost,Insert Name Here, Spin Alley, Joe Muscara, The Snake Charmers, April Kyle, Ajit D’Sa, Wayside Drive, Ned Dodington, Grace Rodriguez, and last but not least the members of Caroline Collective, and Houston’s Creative and Music Community.

Licensing
This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. This means:
Use this guide as much as you like to book shows for yourself and others. Share it with your friends, reproduce, download, redistribute, remix, tweak, and build upon this guide but the original work must be credited and you may not sell it. All further derivatives are licensed under identical terms.

Creative Commons License
Booking Your Band in Texas Guide by Matthew Wettergreen is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.

Welcome to Day 3 of the release of the ebook ‘Booking Your Band in Texas’. This guide is designed to help you contact and book yourself a live show at venues around Texas. Today’s venue list covers Houston, the fourth largest city in the nation but a city not known for it’s music community.

Booking Your Band in Texas – pt. 3, Houston

This download includes a list of venues located in and around Houston as well as the below graph which can help you to understand the musical landscape of a particular city. Houston, similar to Dallas and Austin is largely represented by the genres of rock/p0p and all other derivatives. Unlike any of the other cities surveyed up to this point though, Rap/Hip Hop and R&B plays a greater role in the musical economy, second after rock/pop. As we have seen with Dallas and Austin the genres of country, jazz, blues and acoustic/folk/singer/songwriter fill in the remaining top slots. One interesting note about Houston though is that there is no clear minority as the lesser represented genres all seem to be nearly equally represented in the listed venues, even including Metal and Top 40.

genrefavoriteshoustonsmall

‘Booking Your Band in Texas’ Release Schedule
Every day of this week, a new venue listing will be released for Austin, Dallas, Houston, San Antonio and Victoria/Corpus Christi. If you come to Bandcampus:BOOKING PARTY on Sunday, January 31st you’ll receive the full ebook, similarly, if you visit this site next Monday (2/1) you’ll be able to download the document in its entirety. On Monday, February 1st, the complete list of venues will also be posted as a google document so that anyone can access it and edit it.

The Free ebook
On Monday, 2/1/10, the full version of the guide will be available as an ebook for free download. The full document includes the following:

  • Venue Listing for Austin, Dallas, San Antonio and Victoria/Corpus Christi
  • Mad-Libs style email script to assist you in making first contact with a venue to book your band a live show
  • Mad-Libs style phone script to assist you in making first contact with a venue or following up to book your band a live show
  • A recommended schedule to help you plan your bookings
  • A basic explanation of how to go about contacting venues and booking your band a live show

If you like what you read, please consider blogging a link back to this post so that people know where to get the document. And if you’d like to provide some ideas about the document, feel free to leave a comment at the end of this post.

Acknowledgements
This guide was compiled over 2009 with the assistance of many people: Lauren Oakes laid the early groundwork for this project in early 2009 by compiling the list for Houston. My intern Katie Brown is largely responsible for the project as it exists today, expanding the listings to cities within a four hour drive of Houston, organizing the data, and fact checking the listings. Attendees of Bandcampus: BOOKING PARTY in July got a first look at the listings and gave it a review for typos and missing information. Those bands and others that deserve thanks are: Prairie Cadets, Montgomery Walker, Stateside Stereo, Western Civilization, The Favorites, , The Liquid Kitchen, Female Demand, Glasnost,Insert Name Here, Spin Alley, Joe Muscara, The Snake Charmers, April Kyle, Ajit D’Sa, Wayside Drive, Ned Dodington, Grace Rodriguez, and last but not least the members of Caroline Collective, and Houston’s Creative and Music Community.

Licensing
This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. This means:
Use this guide as much as you like to book shows for yourself and others. Share it with your friends, reproduce, download, redistribute, remix, tweak, and build upon this guide but the original work must be credited and you may not sell it. All further derivatives are licensed under identical terms.

Creative Commons License
Booking Your Band in Texas Guide by Matthew Wettergreen is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.

Welcome to Day 2 of the release of the ebook ‘Booking Your Band in Texas’. This guide is designed to help you contact and book yourself a live show at venues around Texas. Today’s venue list covers Dallas, the cosmopolitan center of Texas and also, a hotbed for rodeo.

Booking Your Band in Texas – pt. 2, Dallas

This download includes a list of venues located in and around Dallas as well as the below graph which can help you to understand the musical landscape of a particular city. Unlike Austin, Dallas’ venues are focused less on the singer/songwriter genre and more on the country/cowboy/western focused genres. Jazz is more popular in Dallas than Austin, but then again, so is punk and rockabilly. A grouping of genres not prevalent in Austin that plays a role in the musical landscape of Dallas are the venues which cater to Big Band/Swing/Dixieland/Oldies and Cabaret. Two additional genres making a blip on the percentage of venue focus are Metal and venues which cater to Cover Bands.

genrefavoritesdallas

‘Booking Your Band in Texas’ Release Schedule
Every day of this week, a new venue listing will be released for Austin, Dallas, Houston, San Antonio and Victoria/Corpus Christi. If you come to Bandcampus:BOOKING PARTY on Sunday, January 31st you’ll receive the full ebook, similarly, if you visit this site next Monday (2/1) you’ll be able to download the document in its entirety. On Monday, February 1st, the complete list of venues will also be posted as a google document so that anyone can access it and edit it.

The Free ebook
On Monday, 2/1/10, the full version of the guide will be available as an ebook for free download. The full document includes the following:

  • Venue Listing for Austin, Dallas, San Antonio and Victoria/Corpus Christi
  • Mad-Libs style email script to assist you in making first contact with a venue to book your band a live show
  • Mad-Libs style phone script to assist you in making first contact with a venue or following up to book  your band a live show
  • A recommended schedule to help you plan your bookings
  • A basic explanation of how to go about contacting venues and booking your band a live show

If you like what you read, please consider blogging a link back to this post so that people  know where to get the document. And if you’d like to provide some ideas about the document, feel free to leave a comment at the end of this post.

Acknowledgements
This guide was compiled over 2009 with the assistance of many people: Lauren Oakes laid the early groundwork for this project in early 2009 by compiling the list for Houston. My intern Katie Brown is largely responsible for the project as it exists today, expanding the listings to cities within a four hour drive of Houston, organizing the data, and fact checking the listings. Attendees of Bandcampus: BOOKING PARTY in July got a first look at the listings and gave it a review for typos and missing information. Those bands and others that deserve thanks are: Prairie CadetsMontgomery WalkerStateside StereoWestern CivilizationThe Favorites, , The Liquid KitchenFemale DemandGlasnost,Insert Name HereSpin AlleyJoe MuscaraThe Snake CharmersApril KyleAjit D’SaWayside DriveNed DodingtonGrace Rodriguez, and last but not least the members of Caroline Collective, and Houston’s Creative and Music Community.

Licensing
This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. This means:
Use this guide as much as you like to book shows for yourself and others. Share it with your friends, reproduce, download, redistribute, remix, tweak, and build upon this guide but the original work must be credited and you may not sell it. All further derivatives are licensed under identical terms.

Creative Commons License
Booking Your Band in Texas Guide by Matthew Wettergreen is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.

Welcome to Day 1 of the release of the ebook ‘Booking Your Band in Texas’. This guide is designed to help you contact and book yourself a live show at venues around Texas. Today’s venue list covers Austin, “The Music Capital of the World.”

Booking Your Band in Texas – pt. 1, Austin

This download includes a list of venues located in and around Austin as well as the below graph which can help you to understand the musical landscape of a particular city. Unsurprisingly, Austin’s venues are heavily represented by rock, country and singer/songwriter genres. Less represented are the Jazz, Reggae, Rap and Electronic genres. As a musician in one of these lesser represented genres it would only be expected that there would be less clubs for you to contact in this particular city and that competition may be higher for a show.

genrefavoritesaustin2

‘Booking Your Band in Texas’ Release Schedule
Every day of this week, a new venue listing will be released for Austin, Dallas, Houston, San Antonio and Victoria/Corpus Christi. If you come to Bandcampus:BOOKING PARTY on Sunday, January 31st you’ll receive the full ebook, similarly, if you visit this site next Monday (2/1) you’ll be able to download the document in its entirety. On Monday, February 1st, the complete list of venues will also be posted as a google document so that anyone can access it and edit it.

The Free ebook
On Monday, 2/1/10, the full version of the guide will be available as an ebook for free download. The full document includes the following:

  • Venue Listing for Austin, Dallas, San Antonio and Victoria/Corpus Christi
  • Mad-Libs style email script to assist you in making first contact with a venue to book your band a live show
  • Mad-Libs style phone script to assist you in making first contact with a venue or following up to book  your band a live show
  • A recommended schedule to help you plan your bookings
  • A basic explanation of how to go about contacting venues and booking your band a live show

If you like what you read, please consider blogging a link back to this post so that people  know where to get the document. And if you’d like to provide some ideas about the document, feel free to leave a comment at the end of this post.

Acknowledgements
This guide was compiled over 2009 with the assistance of many people: Lauren Oakes laid the early groundwork for this project in early 2009 by compiling the list for Houston. My intern Katie Brown is largely responsible for the project as it exists today, expanding the listings to cities within a four hour drive of Houston, organizing the data, and fact checking the listings. Attendees of Bandcampus: BOOKING PARTY in July got a first look at the listings and gave it a review for typos and missing information. Those bands and others that deserve thanks are: Prairie CadetsMontgomery WalkerStateside StereoWestern CivilizationThe Favorites, , The Liquid KitchenFemale DemandGlasnost,Insert Name HereSpin AlleyJoe MuscaraThe Snake CharmersApril KyleAjit D’SaWayside DriveNed DodingtonGrace Rodriguez, and last but not least the members of Caroline Collective, and Houston’s Creative and Music Community.

Licensing
This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. This means:
Use this guide as much as you like to book shows for yourself and others. Share it with your friends, reproduce, download, redistribute, remix, tweak, and build upon this guide but the original work must be credited and you may not sell it. All further derivatives are licensed under identical terms.

Creative Commons License
Booking Your Band in Texas Guide by Matthew Wettergreen is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.